samedi 6 juin 2009

BERGSTROM, Janet, Endless Night

«The cinema has almost always failed to make psychic interiority meaningful on the screen.
First touch me, astonish me, tear me apart, startle me, make me cry...
You will please my eye afterward if you can. Diderot

Excess is a familiar term in contemporary film theory, a term most frequently invoked, I think, in discussion of melodrama.» (13)

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