BERGSTROM, Janet, Endless Night

«The analyst's compulsion, moreover, is the corollary to the particular cinema's own compulsion to visibility, a cinema itselfef haunted by the possibility of something more than its vision, its controlled continuity of screened reality ; analyst and film come across and miss one another on the common ground of their failure not to be seen by this "more" - the slippages, splinters, skewings, everything that bears the trace of what is not symbolized , not in view.» (34)