BERGSTROM, Janet, Endless Night

«(The contemporary, theoretically aware version of interpretation) is not so much interpretation of meaning of films but rather the establishment of a "theoryfilmanalysis" in which psychoanalytic concepts (narcissism, paranoia, repression, whatever) are conjoined with a film in the interests of the interpretative elaboration of issues around (mainly) sexual difference. Psychoanalysis here become, as it were, a discourse-generator, making up with film a new genre, a new imaginary (within which, for instance, to construct "the female spectator")» (35)